(Enjoy untangling “To park the car, we must find parking/Or spend the day on the freeway/Stay in your lane/It's what you want/And yes, I approve/'Cause if I run out of gas/You'll be my excuse.") Though tracks like “Glow in the Dark” and “We Are the People” keep the arrangements to a minimum, there’s an incandescence to Iggy’s performance that’s full of energy-a spark of giddy excitement, as if he’s asking, “What’ll happen if I turn this knob? Say it this way?” It’s all a lead-up to his fantastic recitation of Dylan Thomas’ “Do Not Go Gentle Into That Good Night.” For someone who kicked off punk five decades earlier, and who has hardly let up for a moment in the intervening years, the line “Old age should burn and rave at close of day” basically belongs to him now. “Sonali,” one of Free's most robust, complex songs, juggles atmospheric synth notes with some inhumanly quick, off-kilter drums while Iggy softly croons lyrics that would almost sound like a stream of consciousness were it not for the fun images that emerge from his linguistic puzzles. Life is short and if someone likes to pretend day after day they get left behind. With the assistance of co-producers and collaborators Leron Thomas and Noveller, Iggy experiments with all kinds of new depths, playing with jazz, rock, electronics, dissonance, poetry, and even a little of the camp he embraced on 2012's Après, his collection of loungey pop interpretations. abuses time and she will soon painfully learn nobody gets erased. That title track clearly sets the album's goalposts-or lack thereof. “I wanna be free,” he says with a matter-of-fact inflection as a cinematic trumpet glistens over the moody, beat-less composition that opens the 72-year-old artist's 18th solo studio LP.
#Lyrics james bond iggy pop free#
Free finds him tapping those exploratory instincts even more deeply. Iggy has always attempted to strike this balance between music for the body and music for the mind: As far back as The Stooges’ first albums in the late ’60s and early ’70s, a meditative raga like “We Will Fall” would counter the scrappy, visceral force of “No Fun,” or a track like “Fun House” would tack left with Ornette Coleman-inspired saxophone runs. If 2016’s Post Pop Depression-which he made with Queens of the Stone Age’s Josh Homme and Dean Fertita, and Arctic Monkeys’ Matt Helders-showed that he could still cause a ruckus, Free shows he’s still more than capable of keeping his audience on its toes. She wants to be your James Bond She might stand in your way, but still she'll save the day She wants to be your James Bond (James Bond) She wants to be your James Bond She wants to be your James Bond She'll become a double agent if you try her patience So let her be your James Bond (James Bond) Let her be your James Bond Just let her be your. It’s not as if Iggy Pop has ever really needed to prove anything. Below you will find lyrics, music video and translation of James Bond - Iggy Pop in various languages.
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